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Flowers for Vases/descansos
Barnes and Noble
Flowers for Vases/descansos
Current price: $18.49


Barnes and Noble
Flowers for Vases/descansos
Current price: $18.49
Size: CD
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Nine months after the release of her debut solo album, 2020's
Petals for Armor
,
Hayley Williams
returns with a surprise follow-up, 2021's deeply introspective
Flowers for Vases/descansos
. Where
found
Williams
collaborating with a handful of close associates, including her
Paramore
bandmate
Taylor York
is an even more solo-oriented project with
playing all of the instruments herself and recording alone with
Canon Blue
's
Daniel James
producing. Largely acoustic with a limited amount of overdubs,
Flowers
feels somewhat more minimalist than the aesthetically varied
Petals
-- which isn't to say it's any less impressive. There is a sense that
is celebrating her influences, dipping into a little
Fleetwood Mac
twang here ("Over Those Hills"), some angelic folk harmonies a la
Linda Ronstadt
there ("Good Grief"). Then there's the slow-churning anthem "Just a Lover," a piano ballad that eventually crashes to a halt in a tidal wave of distorted bass and shimmering electric guitar; it's messier and more sprawling than anything
has done with
, conjuring the brooding energy of late-'70s
Patti Smith
. We also get several delicately haunting and ambient songs like "KYRH" and the instrumental "Descansos" that bring to mind artists like
Brian Eno
and
Philip Glass
and speak to her broad taste.
As with much of
feels like
continuing on a journey of self-reflection, toiling with her personal demons, and transforming her pain into intimate hymns. It's a mood that's not just reflected in the lyrics but also the music. Many of the songs feel like they might have been written on her bed or back porch. In fact, one of the most potent tracks, "HYD" ("How're You Doing"), begins unassumingly with what sounds like
recording outside into a tape deck until she is interrupted by a loud airplane flying overhead. After a wry exclamation of "Are you f*cking kidding me,"
starts the song again, this time in the studio as she ruminates on someone absent from her life. She sings, "When the air is quiet and the sky is blue/I can't help being reminded of you/And how your eyes are shut, so you cannot see/Just how very close/I keep you to me." Even in the darkest moments on
reaches out and beckons you ever closer. ~ Matt Collar
Petals for Armor
,
Hayley Williams
returns with a surprise follow-up, 2021's deeply introspective
Flowers for Vases/descansos
. Where
found
Williams
collaborating with a handful of close associates, including her
Paramore
bandmate
Taylor York
is an even more solo-oriented project with
playing all of the instruments herself and recording alone with
Canon Blue
's
Daniel James
producing. Largely acoustic with a limited amount of overdubs,
Flowers
feels somewhat more minimalist than the aesthetically varied
Petals
-- which isn't to say it's any less impressive. There is a sense that
is celebrating her influences, dipping into a little
Fleetwood Mac
twang here ("Over Those Hills"), some angelic folk harmonies a la
Linda Ronstadt
there ("Good Grief"). Then there's the slow-churning anthem "Just a Lover," a piano ballad that eventually crashes to a halt in a tidal wave of distorted bass and shimmering electric guitar; it's messier and more sprawling than anything
has done with
, conjuring the brooding energy of late-'70s
Patti Smith
. We also get several delicately haunting and ambient songs like "KYRH" and the instrumental "Descansos" that bring to mind artists like
Brian Eno
and
Philip Glass
and speak to her broad taste.
As with much of
feels like
continuing on a journey of self-reflection, toiling with her personal demons, and transforming her pain into intimate hymns. It's a mood that's not just reflected in the lyrics but also the music. Many of the songs feel like they might have been written on her bed or back porch. In fact, one of the most potent tracks, "HYD" ("How're You Doing"), begins unassumingly with what sounds like
recording outside into a tape deck until she is interrupted by a loud airplane flying overhead. After a wry exclamation of "Are you f*cking kidding me,"
starts the song again, this time in the studio as she ruminates on someone absent from her life. She sings, "When the air is quiet and the sky is blue/I can't help being reminded of you/And how your eyes are shut, so you cannot see/Just how very close/I keep you to me." Even in the darkest moments on
reaches out and beckons you ever closer. ~ Matt Collar