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In the Orbit of Ra
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In the Orbit of Ra
Current price: $35.99
Barnes and Noble
In the Orbit of Ra
Current price: $35.99
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As the longest-tenured member of
the Arkestra
(55-plus years and counting as of 2014), there is no one with a deeper understanding of the music of
Sun Ra
than
Marshall Allen
, and that's part of what makes
In the Orbit of Ra
such a special collection. The
Arkestra
's long history is often divided into musical/geographic periods or spoken of as a progression from inside to outside playing. This set spans from the late '50s to the late '70s but the non-chronological sequencing shows how artificial those stylistic boundaries are. The tracks chosen show how many of the elements of their more outside material were present even back in the late '50s and there was quite clearly a strong, coherent musical vision in place from the beginning (but most audiences probably weren't ready for it yet). There are a few signature tunes here, but this isn't really a greatest-hits collection. Instead, it's a guided tour from
deep into
's music. Each track leads the listener a bit further so by the time
Art Jenkins
' space voice enters at the end of disc one, it makes perfect sense instead of just being "weird" in a different context. "Solar Differentials" is the perfect setup for the second disc (starting with the hypnotic "Astro Black," replete with industrial drill sounds), which continues the journey with more of a focus on vocal pieces over the years, ultimately leading us back full circle to the beginning in Chicago. In addition to the unreleased tracks "Reflects Motion, Pt. 1" and "Trying to Put the Blame on Me" (a wonderful solo piano piece), there's an unedited "Islands in the Sun" and a bunch of great photos by
Val Wilmer
. Then there's the remastering: this is easily the best sound most of these tracks have ever had before, on CD or LP. There are any number of great performances here, but
Ronnie Boykins
' work on bass really stands out with the new remastering. Despite the fact that most of this material was already available,
is close to essential for fans and a pretty good place to start for the curious
novice. He really was writing music for the 21st century. ~ Sean Westergaard
the Arkestra
(55-plus years and counting as of 2014), there is no one with a deeper understanding of the music of
Sun Ra
than
Marshall Allen
, and that's part of what makes
In the Orbit of Ra
such a special collection. The
Arkestra
's long history is often divided into musical/geographic periods or spoken of as a progression from inside to outside playing. This set spans from the late '50s to the late '70s but the non-chronological sequencing shows how artificial those stylistic boundaries are. The tracks chosen show how many of the elements of their more outside material were present even back in the late '50s and there was quite clearly a strong, coherent musical vision in place from the beginning (but most audiences probably weren't ready for it yet). There are a few signature tunes here, but this isn't really a greatest-hits collection. Instead, it's a guided tour from
deep into
's music. Each track leads the listener a bit further so by the time
Art Jenkins
' space voice enters at the end of disc one, it makes perfect sense instead of just being "weird" in a different context. "Solar Differentials" is the perfect setup for the second disc (starting with the hypnotic "Astro Black," replete with industrial drill sounds), which continues the journey with more of a focus on vocal pieces over the years, ultimately leading us back full circle to the beginning in Chicago. In addition to the unreleased tracks "Reflects Motion, Pt. 1" and "Trying to Put the Blame on Me" (a wonderful solo piano piece), there's an unedited "Islands in the Sun" and a bunch of great photos by
Val Wilmer
. Then there's the remastering: this is easily the best sound most of these tracks have ever had before, on CD or LP. There are any number of great performances here, but
Ronnie Boykins
' work on bass really stands out with the new remastering. Despite the fact that most of this material was already available,
is close to essential for fans and a pretty good place to start for the curious
novice. He really was writing music for the 21st century. ~ Sean Westergaard
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