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Men, Women & Children
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Men, Women & Children
Current price: $14.99


Barnes and Noble
Men, Women & Children
Current price: $14.99
Size: OS
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Whoops. Seems someone forgot to give
Men, Women & Children
the memo. Didn't
disco
pretty much die with the '70s? Well, consider the negligence a blessing in disguise, as the excuse to bust that orange leisure suit out of your closet has finally arrived. That's right, on their dance-ready self-titled debut,
balk at the overly serious bands of the new millennium and have come for nothing more than fun and partying under the bright lights. All of the
electro
beats, synth loops, strings, and
funk
attitude -- used to maximum effect -- make one wonder if all the years founding guitarist
Todd Weinstock
spent in the
alternative metal
/
hardcore
group
Glassjaw
resulted in the severely repressed booty-shaking that he's now just realizing (similar to fellow
alum
Daryl Palumbo
's
dance
post-punk
outfit
Head Automatica
). The discotheque glitter ball is sparkling bright from the opening of
"Dance in My Blood,"
and there's no question what they'll be doing into the wee hours of the night -- especially with a literal chorus that proclaims "You don't need a reason to get out on the dancefloor/And we can get it on and on all night long." Lyrics like this appear throughout the rest of the album -- since really, it plays as just one big party -- in songs with such great titles as
"Photosynthesis (We're Losing O2"),"
"Who Found Mister Fabulous?,"
and
"Monkey Monkee Men"
(which includes lines like "We're monkey monkee men/And we'll eat all your friends"). Resemblances to other bands and movie
soundtracks
are littered throughout the mix, as
"At Night We Like to Fight"
sounds like
VHS or Beta
playing
Franz Ferdinand
's guitars and
"The Name of the Train Is the Hurricane"
has moments of
Michael Jackson
posturing. And it's almost certain that
Kevin Bacon
is dancing to the opening '80s beat of
somewhere. Pretty much, this record is some of the most fun to be had from a band in 2006.
are sure to bring at least a little hop to the most uptight of steps, and trying to control spontaneous boogying may prove to be a problem for anyone with a sense of fun. ~ Corey Apar
Men, Women & Children
the memo. Didn't
disco
pretty much die with the '70s? Well, consider the negligence a blessing in disguise, as the excuse to bust that orange leisure suit out of your closet has finally arrived. That's right, on their dance-ready self-titled debut,
balk at the overly serious bands of the new millennium and have come for nothing more than fun and partying under the bright lights. All of the
electro
beats, synth loops, strings, and
funk
attitude -- used to maximum effect -- make one wonder if all the years founding guitarist
Todd Weinstock
spent in the
alternative metal
/
hardcore
group
Glassjaw
resulted in the severely repressed booty-shaking that he's now just realizing (similar to fellow
alum
Daryl Palumbo
's
dance
post-punk
outfit
Head Automatica
). The discotheque glitter ball is sparkling bright from the opening of
"Dance in My Blood,"
and there's no question what they'll be doing into the wee hours of the night -- especially with a literal chorus that proclaims "You don't need a reason to get out on the dancefloor/And we can get it on and on all night long." Lyrics like this appear throughout the rest of the album -- since really, it plays as just one big party -- in songs with such great titles as
"Photosynthesis (We're Losing O2"),"
"Who Found Mister Fabulous?,"
and
"Monkey Monkee Men"
(which includes lines like "We're monkey monkee men/And we'll eat all your friends"). Resemblances to other bands and movie
soundtracks
are littered throughout the mix, as
"At Night We Like to Fight"
sounds like
VHS or Beta
playing
Franz Ferdinand
's guitars and
"The Name of the Train Is the Hurricane"
has moments of
Michael Jackson
posturing. And it's almost certain that
Kevin Bacon
is dancing to the opening '80s beat of
somewhere. Pretty much, this record is some of the most fun to be had from a band in 2006.
are sure to bring at least a little hop to the most uptight of steps, and trying to control spontaneous boogying may prove to be a problem for anyone with a sense of fun. ~ Corey Apar