Scaled smaller than 2012's double-album
Privateering
,
Tracker
also feels suitably subtle, easing its way into being instead of announcing itself with a thunder. Such understatement is typical of
Mark Knopfler
, particularly in the third act of his career. When he left
Dire Straits
behind, he also left behind any semblance of playing for the cheap seats in an arena, but
feels quieter than his new millennial norm. Some of this is due to the undercurrent of reflection tugging at the record's momentum.
Knopfler
isn't pining for the past but he is looking back, sometimes wistfully, sometimes with a resigned smile, and he appropriately draws upon sounds that he's long loved. Usually, this means some variation of pub rock -- the languid ballad "River Towns," the lazy shuffle "Skydiver," the two-chord groove of "Broken Bones" -- but this is merely the foundation from which
threads in a fair amount of olde British folk and other roots digressions. This delicate melancholy complements echoes of older
songs -- significant stretches of the record are reminiscent of the moodier aspects of
Brothers in Arms
, while "Beryl" has just a bit of the "Sultans of Swing" bounce -- and this skillful interweaving of
's personal past helps give
a nicely gentle resonance. [A Deluxe Version added five bonus tracks.] ~ Stephen Thomas Erlewine